Thursday, September 12, 2013

Cat Thursday: Authors and their cats (25)


Welcome to the weekly meme that celebrates the wonders and sometime hilarity of cats! Join us by posting a favorite LOL cat pic you may have come across, famous cat art or even share with us pics of your own beloved cat(s). It's all for the love of cats! Enjoy! (share your post in the Mr. Linky below)

The second Cat Thursday of each month is Authors and their Cats Thursday. Each time I will feature an author and their cat(s).

Grant Morrison and a friend...I love this picture! Morrison is a comic book author and screenwriter known for his controversial, yet critically acclaimed and popular, books.



I also found this...it's brilliant!


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Wednesday, September 11, 2013

Cross the Ocean by Holly Bush


Book Excerpt
Chapter One

London 1871
“Pardon me?”
The starch in Mrs. Wickham’s black dress seemed to wilt as she quivered. The soft folds of her jowls shook. “The Duchess is not coming down, Your Grace,” she repeated.
The Duke of Wexford stood stock-still. The guests were to descend on his ancestral home in a matter of moments. The candles lit, the buffet laid, the flowers had bloomed on cue. The last remaining detail was the receiving line.
“Mrs. Wickham. There is a small matter of greeting two hundred and fifty guests arriving momentarily. The Duchess needs to attend them,” Blake Sanders, the Eighth Duke of Wexford, said sternly to his housekeeper.
When the woman had announced his wife would not be joining him, Sanders was certain he had not heard correctly. The Duchess knew her duties, as did he.  He turned abruptly to the staircase and stopped as a shiver trailed down his arms. He turned back. The rotund woman had not moved other than the flitting of small hairs peeking out of her mobcap.  After twenty-five years of service to his family, he supposed she stood rooted for good reason.
The Duke spoke quietly. “Is there a problem conveying this message, Mrs. Wickham?”
The woman swallowed. “Yes, Your Grace. There is.”
“What is it, Mrs. Wickham?” he asked.
It was then he noticed a folded piece of paper in the woman’s hand. As with most lifetime retainers, he had seen worry, seen anger and joy in her face. But never fear. And it was fear indeed that hung in the air, widened her eyes and had the missive shaking in pudgy fingers.
A lifetime later, in his memory, he would envision the slow transfer of this note as it made its way from her hand to his. The moments stretched out when life was sure – before he read it. With the reading, life changed, flopped perversely like some great beached sea turtle. So memory or God or mind’s protection lengthened the seconds until he read.
In the present, he snatched the note, unfolded it and recognized his wife’s script. He dared not glance at the still-present servant.  Blake Sanders read to the final line, folded the paper neatly and met Mrs. Wickham’s eyes. Had he been six, he may have hurled himself in the great black comfort of her skirts. But he was not a boy.
“The contents of this note, I gather, you read?” he asked.
The mobcap nodded. “Twas open and lying on Your Grace’s pillow.”
“Very well,” he replied and stared at the ornate wall sconce and the shadows the candles threw. The butler’s distant voice broke through his emotional haze. He knew he must ready himself for the onslaught of guests but not before he made clear his wishes with Mrs. Wickham.
“We must be certain the Duchess is left alone with such a malady.” His eyes met hers with a dark intensity. “You will be the only one in her attendance tonight.”
“Yes, Your Grace.” The housekeeper nodded to leave and turned back with tears in her great gray eyes. “The children, Your Grace? What if . . .?”
“I will handle the children tonight, Mrs. Wickham,” he answered.
She nodded and hurried away.
The composure he had been born with, cultivated, and that now ruled his life, wavered as he slowly made his way down the staircase to his butler. Briggs stood sentry near the newel post as he had done for as long as anyone could remember.
“The guests are arriving, sir,” the butler said.
“The Duchess is unwell, Briggs. Lady Melinda will stand attendance beside me.” “Very good, Your Grace,” Briggs replied.
Somehow Blake found himself between his children in the receiving line. On his left stood his seventeen-year old daughter, Melinda. Fifteen-year-old, William, the heir to the title, was to his right. Donald, the youngest, was certainly fighting his nursemaid to escape and peek through the balustrade at the splendor of the upcoming ball.
“Where is Mama?” Melinda asked softly.
“Terrible headache, sweetheart. She needs to stay abed,” he said and made yet another crisp bow. Melinda would make her come-out in a few short months, but she had not as of yet. Blake had made the decision to have her play hostess in an instant, not knowing what else to do.  “You are doing beautifully in her absence.”
Between greeting the next guests Melinda whispered to her father, “I’ll go to her as soon as I can. You know how . . .”
“No,” he shouted, startling guests in line and his daughter. Her look of shame and surprise shook him. His menacing gaze softened as he turned to her. “I didn’t mean to snap, my dear.”
Melinda’s lip trembled until an aging matron shouted in her ear. She turned a practiced, polite face the dowager’s way.
Moments in every life indelibly etch in the mind. The birth of a child. A father’s grudging respect seen in a wrinkled face. The first time love is visible in a woman’s eye. But that evening and all its details were a blurry mass of glad tidings and lies. Conversations muted amongst his thoughts leaving his mind only capable of a nod or the shake of his head. One stark moment glared. Blake’s longtime friend and neighbor, Anthony Burroughs, looked at him quizzically as he repeated his wife’s excuse. The man’s eyes bored into his, and Blake nearly spilled the details of his dilemma in the midst of the glowing ballroom. He shuttered his feelings quickly, but he knew Anthony was not fooled.
William and Melinda were so exhausted by night’s end that he had no trouble convincing them to wait to the following morning to regale their mother with the evening’s excitement. For himself, he could have cried for joy when the last guest left at nearly four in the morning. He sent his valet to bed, untied his neck cloth and slumped into the dark green damask chair in front of a wilting fire.
He would be a laughingstock. The Wexfords took their pride seriously today in 1871 the same as they had in 1471. The current Duke of Wexford had spent his entire life guarding against any impropriety that might sully that pride or good name. Married at twenty-four by decree of his father to Lady Ann Murrow, and a beautiful fair child, Melinda, was born nine months to the day from the date of his wedding. The heir, William, two years later with the spare, Donald, arriving seven years ago.
Blake did not over indulge at the game tables or with drink. He kept a trim figure, and while not vain, was never seen without proper attire. His estates were in order; he treated his servants fairly and generously and reaped the profits hence.
My life has been a model to the English aristocracy, Blake thought. Until now.  He withdrew the letter from his pocket and read again, that which his eyes saw but what his mind refused to believe. “I’m leaving you ...” What in his life had he done or not done to deserve such treatment, especially from his wife, the mother of his children? The Duchess of Wexford for God’s sake, he railed silently. He continued reading. “He’s a well-to-do merchant...” Not even a peer of the realm.
Would Ann stop at nothing to humiliate him? How would he show his face in town? The English peerage took delight and excruciating pains to reveal or revel in another’s debacle or misfortune. They tittered about the smallest transgression – a loss at the game table, a stolen kiss exposed before the banns were posted. He would be branded, bandied about, laughed at behind his back until his last breath and beyond.
Blake wondered that when the Earl of Wendover heard this story, he would withdraw the arrangement for Melinda to marry his son. Blake had not told Melinda of the agreement because he had wanted her to enjoy her come-out without a cradle betrothal to dampen her spirit. Let her dance and meet young people and then tell her about the long ago made plans. But Blake admitted to himself there may be no triumphant union of two of England’s oldest families after the Duchess’s betrayal became public.
The sun was peaking over rolling hills he saw as he gazed idly out the window of his bedchamber. How would he tell his children? When their nursemaid had died, he had gone off to town rather than deal with their tears. Let their mother handle these things. But there was no mother. The scheming wench had gone off and left her own children without a word.
There was a horse at Tattersall’s he’d been eyeing. Blake wondered if he should go now before everyone knew of this scandal and he’d be forced to deal with the ton’s whispers and stares. I’ll deal with the children first. I must. It’s my duty. He rang for his valet and wondered if Mrs. Wickham would be the better person to explain things. The housekeeper was a soft soul, and the children adored her.
Benson helped him bathe and dress, and he sat down bleary-eyed at the breakfast table. His morning regimen was placed in front of him as he was seated with a footman’s help. Blake was suddenly so angry, so horrified, at the situation he found himself in, he merely stared at his oatmeal. Tea was being poured on his right. The morning paper carefully folded to the business section on his left. All seemed the same, should be the same. But it wasn’t. Ann would not glide down the stairs this morning. She would not inquire politely how he had slept. She would not explain her plans with the dressmaker or morning calls. As if he’d cared. But even still . . . it wouldn’t be the same. He would not kiss her cheek and tell her she looked lovely with his dismissal.


About the book
1871 . . . Worlds collide when American Suffragist, Gertrude Finch, and titled Brit Blake Sanders meet in an explosive encounter that may forever bind them together. Gertrude Finch escorts a young relative to London and encounters the stuffy Duke of Wexford at his worst. Cross the Ocean is the story of an undesired, yet undeniable attraction that takes Blake and Gertrude across an ocean and into each other’s arms.

About the author
Holly Bush was born in western Pennsylvania to two avid readers. There was not a room in her home that did not hold a full bookcase. She worked in the hospitality industry, owning a restaurant for twenty years. Holly has been a marketing consultant to start-up businesses and has done public speaking on the subject.

Holly has been writing all of her life and is a voracious reader of a wide variety of fiction and non-fiction, particularly political and historical works. She has written four romance novels, all set in the U.S. West in the mid 1800’s. She frequently attends writing conferences, and has always been a member of a writer’s group.

Holly is a gardener, a news junkie, and former vice-president of her local library board and loves to spend time near the ocean. She is the proud mother of two daughters and the wife of a man more than a few years her junior.

Tuesday, September 10, 2013

The Old Rectory: Escape to a Country Kitchen by Julia Ibbotson: Guest Post and Review


Can you tell a book by its cover?

I love book covers. The problem with the Kindle (which, granted, is more convenient for carrying around loads of books) is that you don’t focus on the cover. OK, so it’s the content that’s important. But I love piling up my “paperback books to read” and almost salivating at the covers and longing to read what’s inside (“which shall I start with…?) Right from my childhood reading, always the image of horses on the cover (loved Monica Edwards) or countryside, old houses and picket fences (L M Montgomery’s Anne of Green Gables series), graduating to the Victorian streets and figures of Dickens or the gentle fireside pursuits of Jane Austen’s ladies.

A cover image reflects the inside story: a humorous romance? A silhouette of a coltish long-legged heroine surrounded by pink hearts.Adark murder mystery?A grim face sleuth or a lamp-lit street scene at night.

But think, too, of the poor author who has the task of getting the right cover to truly represent her book. Well, when I had that task, I found it one of the most difficult decisions I had to make.

So what cover did I choose forThe Old Rectory: Escape to a Country Kitchenand why?It’s the story of the restoration of our English Victorian rectory, which we bought as a dilapidated building, and worked on to make a lovely home,but I’ve combined memoir, history, research, story and recipes in this book. It’s the story of renovation – of a house and of lives – and with recipes to feed the soul. So how could I reflect this in the cover?

What would be appropriate? What would provide the potential reader with an idea of the style and nature of the book? What would attract a reader and make it stand out on the bookshelves?

The whole idea of buying the rectory which gave rise to the book, was to have a place in a rural setting, in the middle of the English countryside, surrounded by fields and trees, to be able to feel more in touch with nature and the changing seasons. So I was looking for a design or photograph which reflected this to the readers. A typical archetypal English moorland scene, with a village nestling amongst the fields and trees. I described to my American publisher exactly what I wanted and waited eagerly for the designers to come up with something good.

The email came and I rushed to open the attachment to see the result…..horrors! The picture was beautiful – but it was clearly of an Italian villa! Nothing like the description in the book, of the house as we saw it first, let alone after the renovations.

I explained to my American designers that they had made my house into an Italianate mansion, complete with ornate balconies and grandiose poplar trees. Nothing like my English Victorian rectory! And nothing like the countryside that surrounds it.

Maybe I could use a photograph of the real house? Well, my husband and I spent many a happy hour taking shots from every angle, but in none of them could I see the “rural English life” aspect that I wanted to convey. And I didn’t really want the intrusion of my real house, in sharp focus, however much the inspiration for the book, emblazoned on websites, reviews, bookshop shelves.

My US publisher’s designers couldn’t quite get to grips with why the Italian villa was inappropriate (well, it was European, wasn’t it, and England is in Europe?). So I embarked on a quest to find a picture from online stockists which would represent my book and what it was all about. Eventually I found one: gently rolling hills with a church and cottages nestled in a valley of fields and streams. The church was an inspiration as it would reflect the rectory as the home of the parish priests in the old days. Readers loved it!

And I am thrilled to say that the book has won a number of international book festivals in the biography category, gained 5 star reviews on Amazon, and has been widely featured (along with our house) in the media.

A year on and I had an offer to re-release with a new publisher in the UK. And as they wanted a new cover the process started all over again. However, this time I decided to go for something to represent the kitchen which played a large part in the story, as the heart of the home and because every chapter ended with a series of recipes. I wanted the Victorian element in keeping with the rectory and we searched for a photograph of a kitchen range, table and chair which would reflect it. Happily we found just the thing and it now graces my new UK edition.

Now I have a new project, a trilogy of novels following the life story of a new character, Jess, through from fleeing to West Africa as a volunteer teacher/nurse in the 1960s to the millennium. The first of the series, Drumbeats, is due to be published later this year. So now I’m searching the archives for a picture that reflects Africa and drums – but also has a brand continuity for the whole of the trilogy, a turbulent romance through five decades. It’s not easy – any ideas? Suggestions gratefully received on my author facebook page or my website at www.juliaibbotson.com ! I might need to hire a specialist book cover designer after all!

My thoughts on The Old Rectory
The Old Rectory is a very charming book...and it's a book that will make people want to add to their bucket list. What do I mean by this? Well, who hasn't dreamed of owning and renovating an old Victorian era (or older) house, especially in the English countryside? Maybe not everyone, but I sure have. Julie Ibbotson has recounted the story of her quest to find the perfect home and, upon finding the old rectory, the journey of the renovation. Intertwined in the story, her love of cooking shines through. She breaks the book up into seasons and includes recipes that fit within those seasons. I can't wait to try out her recipes and the beauty of it is she includes the U.S. measurements too in the ingredients. This book will have a permanent place among my cookbooks and it will be nice to pull it out from time to time to dream of someday owning my own "old rectory" or its equivalent.

About the book
Author Julia Ibbotson and her husband glimpsed the old Victorian rectory on a cold January day. It was in dire need of renovation, in the midst of the English moorlands and a mile from the nearest village, but they determined to embark on a new life in the country, to make the sad neglected house glow again and to settle into the life of the small traditional village. As Julia researches the history of the house and village, supervises the renovations and cooks for family and friends, she records their journey. This real-life, award-winning account focuses on the quest to "live the dream" and, in the end, to find what is important in life. As the book foregrounds the centrality of the kitchen as the pulse of the family and home, each chapter ends with delicious but easy recipes, both current favourites and those from the historic period unfolding within the chapter: Victorian, Edwardian, wartime and present day. Reviewers have been fulsome in their praise, including “ enchanting”, “a talented writer”, “charming story”, “delightful”, “a jewel”, “ a great writer”, “inspirational”, “truly engaging”, and “destined to become a classic”.

Purchase your copy at AMAZON.




About the author
Julia Ibbotson is the award-winning author of The Old Rectory: Escape to a Country Kitchen, first published to acclaim in the USA and now re-launched with a brand-new cover by her new English publisher in the UK. Julia has been writing creatively all her life (unpublished!) but her day jobs to pay the mortgage have been as a school teacher and latterly a university academic, gaining her PhD at the age of 57. She delights in being a wife and mother to four, with four little grandchildren. She loves reading, gardening, growing food, cooking for family and friends and country life. Having published many academic texts and papers, she came late to actually publishing her creative writing, at the age of 60 plus, when she was persuaded to write the story of the renovation of her Victorian rectory in The Old Rectory. She has combined memoir, history, research, story and recipes in this first published book, which has won a number of international book festivals in the biography category, gained 5 star reviews on Amazon, and has been widely featured (along with her house) in the media. She has begun to delve into the world of blogging, facebook and now has her own website at www.juliaibbotson.com at which she also posts blogs regularly, about writing, life and her passions. Her new project is a trilogy of novels following the life story of a new character, Jess, through from fleeing to West Africa as a volunteer teacher/nurse in the 1960s to the millennium. The first of the series, Drumbeats, is due to be published later this year. You can find out more on her website and on her author page on Amazon.

Connect & Socialize with Julia!

TWITTER| FACEBOOK| YOUTUBE


This book tour was organized by Pump Up Your Book.

A copy of this book was sent to me in exchange for an honest review. I was not monetarily compensated for providing it.

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Monday, September 9, 2013

A Reading Life


Another Monday! Honestly, where does the time go?

Listening To: Nada! So, now my portable CD player conked out so my adapter is pointless. Well, I could use it to listen to the audios I have on my Kindle...if I would remember to bring Anne with...duh! I do have an MP3 player on order so will be hitting up Overdrive at the library very soon...or the free titles I downloaded. A little Anna Dressed in Blood might be a great choice for this time of year, or my friend, J. Kaye's recommendation, Stoker's Manuscript. Decisions, decisions! Now Tanga, hurry up with my order!

Books finished last week:  Also, nada...

Reading: 
City of Bones, Cassandra Clare
Cloud Atlas, David Mitchell (TuesBookTalk)
The Historian, Elizabeth Kostova (read-a-long)
Jane Eyre, Charlotte Bronte (Classics spin)
The Arrow Chest, Robert Parry (read-a-long at Castle Macabre)
The Old Rectory, Julia Ibbotson (review coming tomorrow)

Coming Up:  
The Shogun's Daughter, Laura Joh Rowland (for review next week)
Something from the list below is a slim possibility...
The Man in the Picture, Susan Hill
The Devil in the White City, Erik Larson
Lives of the Monster Dogs, Kirsten Bakis
Contact, Carl Sagan

Watching: The Dexter series finale in two weeks! I can hardly believe it's almost over. What will happen? This has been one of my favorite shows. Last night's episode of Ray Donovan. Wow! I love Liev Schrieber. Such a great actor. Also, last night, the season finale of Silk on PBS. Another terrific British series featured on Masterpiece Mystery. What would I do without Masterpiece? Torchwood: Miracle Day is coming to BBC America Saturday. I never did get to watch it back when it was on Encore so this is my chance to catch up. I saw World War Z again over the weekend at the cheapo theater. Took the boys. They loved it. What a great movie! Next, I'm gearing up for Insidious Chapter 2 this weekend. Can't wait to get scared...I mean, really scared! Woo hoo!!

Making:  I discovered a terrific comfort food recipe for the crockpot. {Crockpot} Chicken and Stuffing using only four ingredients! It's delicious too. You can find the recipe at Table for 7. I've made this several times and my younger son loves it. Let me know if you try it. =O)

Grateful for: the W.O. Smith Music School that allows my sons to take music lessons (both boys--Basic Musicianship, Gabe--Choir, and Reece will have private violin lessons in the new year) for 50 cents per lesson. That's about $15 for the entire year. So truly grateful for this!

Looking forward to:  a book I ordered that I think is finally going to get me on track with my writing and may very well decide my November for me. Top Secret...more later!

Also, the FrightFall Read-a-Thon...coming 9/30 - 10/6! I have sign ups posted so head over and add your name. Yay!

Picture: Goodwill find...Tolstoy, a biography by Henri Troyat and, for review, The Last Neanderthal Clan: Raka of the Last Neanderthal Clan, Lisa Lareau and Charlie Boring.


So, what's going on in your reading life?

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Sunday, September 8, 2013

Tackle your TBR Read-a-Thon


Yay, another read-a-thon! This one is hosted by Colorimetry and Tressa's Wishful Endings. I've decided to focus on a page count goal, instead of books read due to my participating in so many read-a-longs. My goal is 2000 pages from the following read-a-long and review books on my TBR pile....

  • The Old Rectory, Julia Ibbotson
  • City of Bones, Cassandra Clare
  • Cloud Atlas, David Mitchell
  • The Historian, Elizabeth Kostova
  • Jane Eyre, Charlotte Bronte
  • The Shogun's Daughter, Laura Joh Rowland
  • The Arrow Chest, Robert Parry
Are you participating in this read-a-thon? Feel free to leave me a link and I'll stop by and visit. 


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Friday, September 6, 2013

Devolution by Peter Clenott: Guest Post


Please welcome my guest today, Peter Clenott, author of Devolution.

I began writing after I took my last college exam. This was back in May 1973, which just goes to show you. At that time no one had any personal computers, so I sat in the student lounge at UMass/Amherst (I actually graduated from Bowdoin but spent my senior year at Smith while taking anthropology courses at UMass) and opened up a notebook and began to write. My tools were sharpened pencils and a big eraser. Once my first draft was completed, along the banks of the Charles River in Boston, I went to a manual typewriter to produce the manuscript. I remember to this day someone yelling at me one early Sunday morning to stop typing. The novel was called THE THIRD WORLD. It was a sci-fi that I ended up not sending to anyone. I still have the original in a bureau drawer at my parents’ house in Portland, Maine. Over the years I wrote dozens of novels and screenplays. Each time I sat down to write, I believed deeply in my latest project. This is the one, I believed. This is the one that’s finally going to make it. Well, 1973 was a long time ago, so you understand what I mean when I said earlier that it just goes to show you. In 2008 HUNTING THE KING was published, my debut novel. I made back what I spent in marketing the book. I got a NY agent for another book titled ALBERTVILLE and thought that I had finally hit the big time. An editor at Harper Collins loved the novel. The fact that I’m writing this article should tell you that once again high hopes ended up getting flattened. To this day I don’t know why she didn’t take the book. In any case, the point of all of this is that I have two books coming out in 2013, THE HUNTED and DEVOLUTION. It remains to be seen how well these books will do and what path my writing career will take. The real point is, you can’t give up. You take what rejections you get and move on. Here’s hoping.

About Devolution
Chiku Flynn wasn’t raised to be a human. Born in Maiko National Park in the Congolese rain forest, Chiku spent the first eleven years of her life as part of an experiment conducted by her parents.

Primatologists Seth Flynn and Samantha Burchill loved their daughter but had no difficulty releasing her into the wild to be studied alongside the chimpanzees of Pan-Dora Island. Impulsive and spontaneous, Chiku proved an apt student, ultimately surpassing her parents in her ability to mingle and communicate with the forest chimpanzees. Pan, the primary male. Scallion, Chiku’s birth mate. Scopes, the provocateur. She plays with them, fashions tools with them, sleeps in their nests, hunts and forages. For Chiku the aboriginal, the primitive, is normal. Then just after her eleventh birthday, everything changes. Chiku witnesses the horrifying death of her mother, pulled out of their boat by a Mamba River crocodile, and her father, Seth Flynn at last sends her ‘home’ to the United States and to a normal teenager’s life.

The problem is, Chiku can’t adapt. Five years and a dozen schools can’t bring her in line. Therapists and psychiatrists can’t figure her out. The pills, when she decides to take them, have no effect. She prefers rolling her own joints and risking life and limb on crazy urban stunts on her roller blades. She is the proverbial wild child, obstinate, defiant, and hopeless. There is a dark side to her past that no one can penetrate. Life is without direction or goal. It is simply experienced and often with catastrophic results. Then Seth Flynn disappears, the chimpanzees he has been studying begin acting crazily, and Chiku’s life is thrown onto a second life-altering course, only this time she is going back to Africa, back to the jungle, where she can put to profound use the one great skill she has: she can communicate with her father’s abandoned chimpanzees using sign language.

The rain forest is in turmoil when Chiku arrives with her older half-sister Cary, a journalist who does not like or trust her defiant sibling. Civil War has led to a massing of refugees on the outskirts of the national park. Poachers are hunting and killing chimpanzees for food or sale. Mining interests and timber companies want to displace the chimpanzees for their own profit. Chiku’s father may well have been a victim of their desires. With the human world threatening to destroy the rain forest and turn Seth Flynn’s chimpanzees into something they have never been, Chiku must step in and reclaim her life and that of the beings she grew up loving.

Pan-Dora Island is sixteen-year old Chiku Flynn’s line in the sand. She is naïve and fearless, guts and fists rather than charm and make-up, a tomboy growing fast into womanhood. The lives of the chimpanzees and the safety of the refugees depend upon her. The affections of three young men hang upon her adolescent desires. She is the focus of bispecies attention and the target of assassins intent on finishing their work. Bruised and jaded by life before she has tasted her first kiss, Chiku Flynn is not a girl to mess with. Yet, if anyone knows anything about love and true devotion, it is Chiku Flynn.


About the author
Peter Clenott is a graduate of Bowdoin College and hails from Portland, Maine. He is the author of the archaeological adventure Hunting the King and currently has three children and lives in Haverhill.

Visit his website at: www.peterclenott.net
Twitter: https://twitter.com.PeterClenott

This book tour was organized by Pump Up Your Book.

Watch for my review...coming soon!

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Thursday, September 5, 2013

Cat Thursday...Fall is on the way!


Welcome to the weekly meme that celebrates the wonders and sometime hilarity of cats! Join us by posting a favorite LOL cat pic you may have come across, famous cat art or even share with us pics of your own beloved cat(s). It's all for the love of cats! Enjoy! (share your post in the Mr. Linky below)

Okay, this cat wants the leaves raked...



and this one doesn't...



Yeah, I know it's not a cat, but who could resist really?



This is me when the Tennessee weather insists on being hot even when it's supposed to be Fall...



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