Showing posts with label modern classics. Show all posts
Showing posts with label modern classics. Show all posts

Saturday, January 20, 2024

Classics Club Spin #36

And the spin landed on #20...Where Angels Fear to Tread by E.M. Forster
Guess the universe really wants me to read this one (it was my spin selection for spin #33 which I didn't get to). Let's see if I can finish it by March 3rd.





CC Spin #36 - A new year of spins...let us see how well I do. 
  1. Complete Ghost Stories - M.R. James
  2. Collected Works (short stories) - Algernon Blackwood
  3. The Witch of Ravensworth - George Brewer
  4. Murder in the Cathedral - T.S. Eliot
  5. The Collector - John Fowles
  6. The Centaur - Algernon Blackwood
  7. Grendel - John Gardner
  8. Collected Works (short stories) - Nikolai Gogol
  9. The House on the Borderland - William Hope Hodgson
  10. The Human Chord - Algernon Blackwood
  11. The Devils of Loudun - Aldous Huxley
  12. The Phantom of the Opera - Gaston Leroux
  13. In Search of Dracula: The History of Dracula and Vampires - Raymond T. McNally, Radu R. Florescu
  14. Dead Souls - Nikolai Gogol
  15. Of Mice and Men - John Steinbeck
  16. The Picture of Dorian Gray - Oscar Wilde
  17. Vampires and Vampirism - Montague Summers
  18. Werewolf - Montague Summers
  19. Mastering Witchcraft - Paul Huson
  20. Where Angels Fear to Tread - E.M. Forster


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Saturday, October 14, 2023

Classics Club Spin #35

And the spin landed on #13...Dead Souls by Nikolai Gogol




CC Spin #35 - Maybe I'll finish one spin a year....
  1. Mastering Witchcraft - Paul Huson
  2. Dead Souls - Nikolai Gogol
  3. Where Angels Fear to Tread - E.M. Forster
  4. Of Mice and Men - John Steinbeck
  5. The Picture of Dorian Gray - Oscar Wilde
  6. Murder in the Cathedral - T.S. Eliot
  7. As I Lay Dying - William Faulkner
  8. Vampires and Vampirism - Montague Summers
  9. Taras Bulba - Nikolai Gogol
  10. The Centaur - Algernon Blackwood
  11. The Collector - John Fowles
  12. The Devils of Loudon - Aldous Huxley
  13. The Age of Innocence - Edith Wharton
  14. Grendel - John Gardner
  15. The Phantom of the Opera - Gaston Leroux
  16. The Werewolf - Montague Summers
  17. The Human Chord - Algernon Blackwood
  18. In Search of Dracula: The History of Dracula and Vampires - Raymond T. McNally, Radu R. Florescu
  19. The Witch of Ravensworth - George Brewer
  20. The House on the Borderland - William Hope Hodgson

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Friday, June 16, 2023

Classics Club Spin #34

And the spin landed on #13...The Werewolf by Montague Summers
I'm thrilled!



Failed miserably last time. If at first you don't succeed, try, try again. Motto of my life. 
  1. Mastering Witchcraft - Paul Huson
  2. Dead Souls - Nikolai Gogol
  3. Where Angels Fear to Tread - E.M. Forster
  4. Of Mice and Men - John Steinbeck
  5. The Picture of Dorian Gray - Oscar Wilde
  6. Murder in the Cathedral - T.S. Eliot
  7. As I Lay Dying - William Faulkner
  8. Vampires and Vampirism - Montague Summers
  9. Taras Bulba - Nikolai Gogol
  10. The Centaur - Algernon Blackwood
  11. The Collector - John Fowles
  12. The Devils of Loudon - Aldous Huxley
  13. Werewolf - Montague Summers
  14. Grendel - John Gardner
  15. The Phantom of the Opera - Gaston Leroux
  16. Meditations - Marcus Aurelius
  17. The Human Chord - Algernon Blackwood
  18. In Search of Dracula: The History of Dracula and Vampires - Raymond T. McNally, Radu R. Florescu
  19. The Witch of Ravensworth - George Brewer
  20. The House on the Borderland - William Hope Hodgson


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Monday, March 13, 2023

Classics Club Spin #33

My spin selection is 
Where Angels Fear To Tread - E.M. Forster



I finished the last spin. Let's see if I can do it again. 
  1. The Picture of Dorian Gray, Oscar Wilde
  2. Meditations, Marcus Aurelius
  3. Werewolf, Montague Summers
  4. The Centaur, Algernon Blackwood
  5. Vampires and Vampirism, Montague Summers
  6. The Human Chord, Algernon Blackwood
  7. Of Mice and Men, John Steinbeck
  8. The Witch of Ravensworth, George Brewer
  9. In Search of Dracula: The History of Dracula and Vampires, Raymond T. McNally, Radu R. Florescu
  10. Murder in the Cathedral, T.S. Eliot
  11. The Phantom of the Opera, Gaston Leroux
  12. The Collector, John Fowles
  13. The Devils of Loudon, Aldous Huxley
  14. Grendel, John Gardner
  15. The House on the Borderland, William Hope Hodgson
  16. As I Lay Dying, William Faulkner
  17. Taras Bulba, Nikolai Gogol
  18. Where Angels Fear to Tread, E.M. Forster
  19. Dead Souls, Nikolai Gogol
  20. Mastering Witchcraft: A Practical Guide for Witches, Warlocks, and Covens, Paul Huson

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Friday, December 9, 2022

Classics Club Spin #32

My spin selection is 
The Writing Life - Annie Dillard


A cry goes up to the universe...give me something I can actually finish. 
  1. Collected Works - Algernon Blackwood
  2. Complete Ghost Stories - M.R. James
  3. Negotiating with the Dead - Margaret Atwood
  4. The Witch of Ravensworth - George Brewer
  5. The Vein of Gold - Julia Cameron
  6. The Writing Life - Annie Dillard
  7. Murder in the Cathedral - T.S. Eliot
  8. The Collector - John Fowles
  9. Writing Past Dark - Bonnie Friedman
  10. Writing Down the Bones - Natalie Goldberg
  11. The House on the Borderland - William Hope Hodgson
  12. Mastering Witchcraft: A Practical Guide for Witches, Warlocks, and Covens - Paul Huson
  13. Steering the Craft - Ursula K. Le Guin
  14. The Forest for the Trees - Betsy Lerner
  15. Some Dogmas of Religion - J.M.E. McTaggart
  16. The Faith of a Writer - Joyce Carol Oates
  17. The War of Art - Steven Pressfield
  18. The Creative Habit -Twyla Tharp
  19. If You Want to Write - Brenda Ueland
  20. The Writing of Fiction - Edith Wharton


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Wednesday, June 8, 2022

Classics Club Spin 30

The spin number was 5 - A Room of One's Own, Virginia Woolf


20 books chosen from your Classics Club list. The club will choose a random number. Read corresponding book by August 7, 2022. Number to be chosen on June 12th. Let's see what kind of list I can make...
  1. Writing Past Dark, Bonnie Friedman
  2. The Faith of a Writer, Joyce Carol Oates
  3. Mastering Witchcraft: A Practical Guide for Witches, Warlocks, and Covens, Paul Huson
  4. Silas Marner, George Eliot
  5. A Room of One's Own, Virginia Woolf
  6. The Collector, John Fowles
  7. Negotiating with the Dead, Margaret Atwood
  8. Steering the Craft, Ursula K. Le Guin
  9. The Picture of Dorian Gray, Oscar Wilde
  10. In Cold Blood, Truman Capote
  11. The Vein of Gold, Julia Cameron
  12. I Know Why the Caged Bird Sings, Maya Angelou
  13. The Witch of Ravensworth, George Brewer
  14. Murder in the Cathedral, T.S. Eliot
  15. The Phantom of the Opera, Gaston Leroux
  16. The Writing Life, Annie Dillard
  17. The House on the Borderland, William Hope Hodgson
  18. The Writing of Fiction, Edith Wharton
  19. If You Want to Write, Brenda Ueland
  20. Take Joy, Jane Yolen
I didn't finish the last spin, but will try, try again. Good luck to everyone participating!


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Tuesday, April 13, 2021

Classics Club Spin 26 #ccspin


I finished my last spin book which was On Becoming A Novelist by John Gardner. So, here I go again. Here's my list:

1. Uncle Silas by Sheridan Le Fanu
2. Becoming a Writer by Dorothea Brande
3. If You Want to Write: A Book about Art, Independence and Spirit by Brenda Ueland
4. The Life and Adventures of Nicholas Nickleby by Charles Dickens
5. I Know Why the Caged Bird Sings by Maya Angelou
6. Negotiating with the Dead by Margaret Atwood
7. Emma by Jane Austen
8. Escaping into the Open by Elizabeth Berg
9. Murder in the Cathedral by T.S. Eliot
10. The Vein of Gold by Julia Cameron
11. In Cold Blood by Truman Capote
12. The Writing Life by Annie Dillard
13. The Legends of Parsifal by Mary Hanford Ford
14. The Collector by John Fowles
15. Writing Past Dark by Bonnie Friedman
16. Steering the Craft by Ursula K. Le Guin
17. The War of Art by Steven Pressfield
18. Take Joy by Jane Yolen
19. The Creative Habit by Twyla Tharp
20. The Phantom of the Opera by Gaston Leroux

What will I get?! Are you doing the spin this time?

In case you're curious about all the writing books on my list (some which may not seem to be classics to some), check out this post where I outlined restarting/revamping my list in 2019. 


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Sunday, February 9, 2014

The Classics Spin #5


It's that time again...Classics Spin time! I probably shouldn't be doing this because I already have a ton of reading on my plate over the next two months, but I missed the last spin so I want to jump in again. I'm going to choose my list according to the Club's suggestion of five Classics Club books you are dreading/hesitant to read, five you can’t WAIT to read, five you are neutral about, and five free choice (favorite author, rereads, ancients — whatever you choose.) However, I'm adding Doctor Zhivago to one of the groups since I technically have not started it and I need to read it for Lit Collective. Maybe I'll get lucky and it will be the number chosen (fat chance, right?).

Five I'm kinda, sorta dreading
1. Doctor Zhivago, Boris Pasternak
2. Sons and Lovers, D.H. Lawrence
3. Silas Marner, George Eliot
4. The Count of Monte-Cristo, Alexandre Dumas
5. Tom Jones, Henry Fielding

Five I just can't wait to read!
6. The Once and Future King, T.H. White
7. The House of Seven Gables, Nathaniel Hawthorne
8. Perfume, Patrick Suskind
9. Brave New World, Aldous Huxley
10. Frankenstein, Mary Shelley

Five I'm neutral about
11. Ben-Hur, Lew Wallace
12. Mansfield Park, Jane Austen
13. The World According to Garp, John Irving
14. 1984, George Orwell
15. A Clockwork Orange, Anthony Burgess

Five...free choice, IOW...shorty books (wink)
16. The Lambs of London, Peter Ackroyd
17. The Plague, Albert Camus
18. Moravagine, Blaise Cendrars
19. What Maisie Knew, Henry James
20. Wide Sargasso Sea, Jean Rhys

What's on your Classics Spin list?

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Friday, September 27, 2013

Banned Books Week: Modern Classic--The Color Purple


My second (and final, as it turns out) classic for Banned Books Week is The Color Purple by Alice Walker. I finally got around to reading the book almost two years ago after loving the film for years. I think it is such a wonderful story and though it does show the strained relationship between the whites and blacks of that era, it really is a story of a woman who spent her life being abused by men who finally learns to stand up for herself. The reasons given below for challenges of the book really do not make sense to me. It almost seems that because it's a book written by a black woman about black people...well, darn it, it has "troubling ideas about race relations..." (see first point below). My commentary is in red.



  • Challenged as appropriate reading for Oakland, CA High School honors class (1984) due to the work's "sexual and social explicitness" and its "troubling ideas about race relations, man's relationship to God, African history, and human sexuality." After nine months of haggling and delays, a divided Oakland Board of Education gave formal approval for the book's use. As I said above, "troubling ideas about race relations?" Um, yes, race relations during that time were troubling actually, but let's shield our (almost grown) high school kids from scenarios that actually did happen historically, if not exactly what happens in the book.
  • Rejected for purchase by the Hayward, CA school's trustee (1985) because of "rough language" and "explicit sex scenes."
  • Removed from the open shelves of the Newport News, VA school library (1986) because of its "profanity and sexual references" and placed in a special section accessible only to students over the age of 18 or who have written permission from a parent. Challenged at the public libraries of Saginaw, MI (1989) because it was “too sexually graphic for a 12-year-old.” I might agree (somewhat) that it might be a bit much for a twelve year old.
  • Challenged as a summer youth program reading assignment in Chattanooga, TN (1989) because of its language and "explicitness." 
  • Challenged as an optional reading assigned in Ten Sleep, WY schools (1990).
  • Challenged as a reading assignment at the New Burn, NC High School (1992) because the main character is raped by her stepfather. 
  • Banned in the Souderton, PA Area School District (1992) as appropriate reading for 10th graders because it is "smut." Challenged on the curricular reading list at Pomperaug High School in Southbury, CT (1995) because sexually explicit passages aren’t appropriate high school reading.
  • Retained as an English course reading assignment in the Junction City, OR high school (1995) after a challenge to Walker's Pulitzer Prize-winning novel caused months of controversy. Although an alternative assignment was available, the book was challenged due to "inappropriate language, graphic sexual scenes, and book's negative image of black men." There are plenty of books that portray negative images of white men. Abusive men, regardless of the color of their skin, deserve to be portrayed negatively. Also, maybe they should have kept in mind that the author is African American....
  • Challenged at the St. Johns County Schools in St. Augustine, FL (1995). Retained on the Round Rock, TX Independent High School reading list (1996) after a challenge that the book was too violent.
  • Challenged, but retained, as part of the reading list for Advanced Placement English classes at Northwest High Schools in High Point, NC (1996). The book was challenged because it is "sexually graphic and violent."
  • Removed from the Jackson County, WV school libraries (1997) along with sixteen other titles. Challenged, but retained as part of a supplemental reading list at the Shawnee School in Lima, OH (1999). Several parents described its content as vulgar and "X-rated."
  • Removed from the Ferguson High School library in Newport News, VA (1999). Students may request and borrow the book with parental approval.
  • Challenged, along with seventeen other titles in the Fairfax County, VA elementary and secondary libraries (2002), by a group called Parents Against Bad Books in Schools. The group contends the books "contain profanity and descriptions of drug abuse, sexually explicit conduct, and torture.” 
  • Challenged in Burke County (2008) schools in Morganton, NC by parents concerned about the homosexuality, rape, and incest portrayed in the book. 

source: Bibliography accessed from the ala.org site (see below)

This bibliography represents books challenged, restricted, removed, or banned in 2012 and 2013 as reported in the Newsletter on Intellectual Freedom from May 2012 to May 2013.

Books Challenged or Banned 2012 - 2013

“Challenges are as important to document as actual bannings, in which a book is removed from the shelves of a library or bookstore or from the curriculum at a school. Attempts to censor can lead to voluntary restriction of expression by those who seek to avoid controversy; in these cases, material may not be published at all or may not be purchased by a bookstore, library, or school district. It should be noted that this bibliography is incomplete because many prohibitions against free speech and expression remain undocumented. Surveys indicate up to 85 percent of actual challenges to library materials receive no media attention and remain unreported. Moreover, this list is limited to books and does not include challenges to magazines, newspapers, films, broadcasts, plays, performances, electronic publications, or exhibits.

Have you read The Color Purple? What is your opinion on the reasons for its being challenged/banned?

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Tuesday, June 4, 2013

Never Let Me Go by Kazuo Ishiguro--Read-a-Long Wrap-Up and Final Review #cceventsched


This is the end of the Post-2000 "Modern Classic" Read-a-Long of Never Let Me Go by Kazuo Ishiguro. I hope you enjoyed the book and I look forward to your thoughts on it. I'm going to share my final thoughts in a kind of analysis/book review style.

What does it really mean to be human? Are we human only if we were born to other humans, or can we also be considered to be human if we were created in a laboratory from another's DNA. This book confronts this question in a radical way. What if, in the future, clones were created for the sole purpose of saving the lives of the sick, i.e. via organ donation? In Never Let Me Go, the clones are created and educated as "students" in boarding school type institutions. At Hailsham, where much of the story takes place, a certain emphasis is made on the artistic endeavors of these students. What we later find out is that these students are, in fact, clones and when they leave their schools, they will go out into the world first as "Carers", those who take care of the donor clones as they go through their various donations, and then as donors. Upon donation number four, we learn they complete, or die, which basically means that a life giving organ was taken. However, sometimes the donors complete before donation four due to complications which is not surprising. The importance of Hailsham in all of this is that the way they educated the "students" and emphasized their artistic qualities was their way of proving to the world that these children (and later adults) do indeed have souls and so are human. What we learn through Ishiguro's masterful storytelling is that these people are very human...that they do possess souls. Which makes it all the more tragic.

I do have to admit feeling a bit irritated during much of the book. One of the characters (Ruth) is one of those people who would be absolutely exhausting to be friends with. And Kathy is so frustratingly complacent much of the time. I would have gone off on Ruth much more than Kathy, and even Tommy, ever did. I guess that's what made Kathy such an excellent Carer. Her ability to be understanding of other points of view, however frustrating or irritating. But this is just a little glitch in the reading of the book. Ultimately, I feel that each of the characters...Ruth, Kathy, and Tommy...behaved the way they did as their own special way of coping with what they knew was their inevitability. So very sad.

I must examine the moral implications of the idea behind this book. I used to think that cloning would be a good thing. That it would be good to have clones in case we got sick or our loved ones got sick. But when we are thinking such things, do we really consider that these clones are actually people? Even if they are genetic copies, they are made from the same stuff we are. Who says that you have to be born to be given a soul (if you believe in the human soul, as I do)? How do we know how we really get our souls in the first place?

Books that make me really think are my favorites to read. This doesn't change the fact that this book is very sad and I cried and cried at the end. Definitely well worth the read though.

So, what did you think? Share your thoughts in the comments or leave me a link to your blog post and I'll stop by. Thanks for reading along with me!

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