Wednesday, May 11, 2016

Spotlight on James Dalessandro's 1906

02_1906 Cover

1906: A Novel By James Dalessandro

eBook Publication Date: January 22, 2013
Crossroad Press eBook; 368 Pages
Genre : Historical Fiction/Mystery/Thriller

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Every disaster has a backstory, none more thrilling than this one. Set during the great San Francisco earthquake and fire, this page-turning tale of political corruption, vendettas, romance, rescue—and murder—is based on recently uncovered facts that forever change our understanding of what really happened. Told by a feisty young reporter, Annalisa Passarelli, the novel paints a vivid picture of the Victorian-era city, from the mansions of Nob Hill to the underbelly of the Barbary Coast to the arrival of tenor Enrico Caruso and the Metropolitan Opera. Central to the story is the ongoing battle—fought even as the city burns—that pits incompetent and unscrupulous politicians against a coalition of honest police officers, newspaper editors, citizens, and a lone federal prosecutor. With the appeal and texture of The Alienist, Carter Beats the Devil, and the novels of E. L. Doctrow, James Dalessandro weaves unforgettable characters and actual events into a compelling epic.

AMAZON | BARNES & NOBLE | INDIEBOUND | KOBO

Praise

“…an imaginative and dense interplay between fact and fiction …of corruption, crime lords and the great San Francisco earthquake...” -Publisher’s Weekly

“Imagine ‘Gone with the Wind’ set against the backdrop of the great San Francisco Earthquake…it steals your breath away.” -Bookideas.com 

“A Bold, Sweeping Novel…Richly Textured…Extraordinary.” -Vincent Bugliosi (author ‘Helter Skelter’) 

“loaded with admirable historical detail and raptor civic corruption as murderous as the San Andreas Fault.” -Oakley Hall (author, the Ambrose Bierce mysteries)
“…will keep you at the edge of your seat.” -The New York Sun 

“..action packed…exciting and vivid.” -Kirkus “A riveting account of corruption, greed and murder…” -Dallas Morning News

03_Author James Dallesandro

About the Author

James Dalessandro was born in Cleveland Ohio, and educated at Ohio University and UCLA film school. In 1973 he founded the Santa Cruz Poetry Festival with Lawrence Ferlinghetti and Ken Kesey, the nation’s largest literary event. He has written for Playboy, the Examiner newspapers, San Francisco magazine. He was writer of the House of Blues Radio Hour and created the nationally syndicated program “Rock On” with Doors keyboardist Ray Manzarek. He has published four books: Canary in a Coal Mine (poetry); Bohemian Heart (noir detective fiction); Citizen Jane (True Crime); and 1906: A Novel (Historical Fiction). He is award winning writer/director/producer of the documentary film THE DAMNEDEST, FINEST RUINS (PBS/KQED), and writer/producer of the Hallmark Movie “Citizen Jane,” based on his book. He is screenwriter of “1906” the upcoming Pixar/Warner Brothers live action film based on his novel of the same name. He lives in San Francisco with his wife Katie and best pal Giacomo Poochini.


Blog Tour Schedule

Monday, April 11
Blog Tour Kick Off & Giveaway at Passages to the Past
Thursday, April 13
Spotlight at A Holland Reads
Tuesday, May 3
Spotlight at Let Them Read Books
Wednesday, May 4
Spotlight at Broken Teepee
Friday, May 6
Interview & Giveaway at The Maiden's Court
Saturday, May 7
Spotlight & Giveaway at Teddy Rose Book Reviews Plus More
Monday, May 9
Review at Book Nerd
Tuesday, May 11
Spotlight at The True Book Addict
Thursday, May 12
Excerpt & Giveaway at A Literary Vacation
Friday, May 13
Guest Post at Jorie Loves a Story
Monday, May 16
Excerpt at The Never-Ending Book
Interview at Historical Fiction Addicts
Tuesday, May 17
Review at Beth's Book Nook Blog
Spotlight at CelticLady's Reviews
Wednesday, May 18
Review at Jorie Loves a Story
Friday, May 20
Review & Excerpt at With Her Nose Stuck in a Book
Monday, May 23
Review at Svetlana's Reads and Views

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Tuesday, May 10, 2016

A Reading Life (43) - Akhenaten, #BoutofBooks and more #ReadNobels


My thoughts on Akhenaten: Dweller in Truth by Naguib Mahfouz
This is the story of the ancient Egyptian pharaoh, Akhenaten, related to a young man by each person who was close to, or who served, the pharaoh. I couldn't help but be reminded of the current state of American politics. Everyone tells a different story. Every single person had a differing opinion on Akhenaten. So, who do you believe? The one consistent thread among all was that he had a strange appearance and that his faith in the One God was unwavering.


I would really like to read other books by Mahfouz, as I'm thinking this probably isn't his best. I mean, it was interesting enough, but the many points of view relating the story made character development difficult...and I'm a big fan of character development. I'm not saying I disliked the book immensely, but I have read other historical novels about various ancient Egyptian royalty and found them much more interesting.

That being said, historical fiction always leaves me wishing I could travel back and find out the real story. A fly on the wall, so to speak. As Akhenaten's life is somewhat of a mystery compared to other pharaohs (due to his name, etc. being obliterated because he was judged a heretic), I especially wish I could learn the truth about him.


Naguib Mahfouz won the Nobel Prize for Literature in 1988. An Egyptian writer, he published over 50 novels, over 350 short stories, dozens of movie scripts, and five plays over a 70-year career. Many of his works have been made into Egyptian and foreign films. (Goodreads)

Other books by the author:
Children of the Alley
The Cairo Trilogy: 
Palace Walk / Palace of Desire / Sugar Street 
Midaq Alley
The Day the Leader was Killed

I read this selection by Nobel Prize winner Mahfouz for the Read the Nobels perpetual challenge, the 2016 Read the Nobels challenge and the Where in the world will your Nobel take you? April challenge, hosted by Aloi at Guiltless Reading.

Bout of Books

What I'm reading this week:
  • For TuesBookTalk, the required section for this week's reading of The Great Mortality by John Kelly
  • Get caught up with the reading section for this week's Roots read-along check in on Friday (I'm WAY behind!)
  • Blood Sacrifices by Brian Moreland
  • I'm going to listen to some audio books about writing too: Writer to Writer: From Think to Ink by Gail Carson Levine and Put Your Heart On The Page: An Introduction to Writing by Anne Perry

I just announced this special event, the Sci-Fi Summer Read-a-Thon, last week! I'm so excited. I need to read more Sci-Fi. This will probably be a yearly event, in between my four regular read-a-thons, like the Christmas Spirit Read-a-Thon in November. I hope you will think about joining us. Sign up here!

*******



Design for Dying by Renee Patrick


The Poldark series 1-3 by Winston Graham:

Ross Poldark
Demelza
Jeremy Poldark


Shirley by Charlotte Bronte
Signora Da Vinci by Robin Maxwell
Affinity by Sarah Waters


What's going on in your Reading Life?

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Monday, May 9, 2016

Martha Conway's Sugarland - Excerpt and {Giveaway}


SUGARLANDA Jazz Age Mystery
By Martha Conway

Chapter One (excerpt)

Hoxie, Illinois, 1921
At two in the morning the trains were stopped for the night, and the old wooden depot, manned only during the day now that the Great War had ended, was deserted.

Eve could see her breath in the cold January air as Gavin Johnson helped her up the last step of the empty train car. Then he jumped up himself. He moved closer and she smelled whiskey and something musky he’d splashed on his face. He pressed her against the rail and began to kiss her with lips cold at first but getting warmer. That was all right.

She turned her head and kissed him back, a feeling of steam moving up through her body. The night was so still it was like a creature holding its breath. She pulled away for a moment. “How’d you get a key to the train car?”

Gavin just laughed. “Let me put out the light.” He opened his lantern’s tiny glass door to blow out the flame, and in the darkness Eve followed him into the empty car.

Her blood was still warm from the corn whiskey she had drunk with the boys after the show, and she felt a little lightheaded. Here she was with a handsome man late at night, alone, her heart beating hard. Before her the rows of worn velvet seats were like people turning their backs. For some reason this excited her more.

“Nice at night, dontcha think?” Gavin asked, taking her hand. With his other hand he touched the soft fold of her dress at the collar. Then he began to unbutton her coat. They were in the Entertainers’ car, the special train car they all traveled by and even slept in if there weren’t any colored hotels in town. Jimmy Blakeley and His Stoptime Syncopaters, they were called, with Gavin Johnson on tenor sax and Eve Riser on piano. Everyone in the band was young and excited, and Eve felt young and excited just being around them. But sometimes it got lonely going from place to place without resting.

From the window Eve could see the empty depot house. Gavin touched the side of her face and she closed her eyes.

Oh she should know better all right. But she was feeling so good, she had played so well that night, really found her way into the music. Also that afternoon she had started a new song—“Sea Change,” she would call it. The first four bars were a gift, just appearing in her mind as she walked back to the hotel from the drugstore, and they still looked good even after she’d written them down.

It was hardly warmer inside the train than out and she pressed against him too now, wanting to feel every inch. Gavin spread his overcoat on the floor and Eve let him guide her down onto the aisle, a hard space meant for feet. After a while his kisses became firmer and deeper like now they had really started, they were really going somewhere now.

She felt his hands behind her neck, fumbling with the buttons of her new dress.

“Gavin,” Eve said.

“Shh, angel girl. I got us all covered.”

She let him undo the buttons. She’d been on the circuit six months now. Six months of playing different pianos all in need of tuning, of fending for herself, of shooing off managers who said come on back to my office and I’ll show you something I know you’ll like. Some of the boys in the band called Eve beautiful but she didn’t know about that. What she cared most about was her music. The horn players liked to start off with notes so strong and high you thought there was nowhere else to go, challenging Eve to follow. She always did. She thought of them as brothers, the teasing variety. But then Gavin came in halfway through their tour, a fine-looking man with deep brown eyes and a complexion her grandmother would call Georgia brown. At first Eve thought he was just another alligator with his little straw boater and his silk tie and his fine boutonniere pin from one of his daddy’s social clubs, but it turned out he was there to play second sax. He called her angel girl and brought her coffee in the mornings. She was tired of being lonely. She liked his sloping smile.

Gavin got her last button unbuttoned. His eyes dark liquid drops in dark hollows. He pulled her dress down to her shoulders and kissed her collarbone again.

“Beautiful,” he said.

“I should say,” said a deep voice behind them.

# # #

About the book
A New Mystery by Edgar-Nominated Author Martha Conway

In 1921, young jazz pianist Eve Riser witnesses the accidental killing of a bootlegger. To cover up the crime, she agrees to deliver money and a letter to a man named Rudy Hardy in Chicago. But when Eve gets to Chicago she discovers that her stepsister Chickie, a popular nightclub singer, is pregnant by a man she won’t name. That night Rudy Hardy is killed before Eve’s eyes in a brutal drive-by shooting, and Chickie disappears.

Eve needs to find Chickie, but she can’t do it alone. Lena Hardy, Rudy’s sister, wants to learn the truth behind her brother’s murder, but she needs Eve’s connections. Together they navigate the back alleys and speakeasies of 1920s Chicago, encountering petty thugs, charismatic bandleaders, and a mysterious nightclub owner called the Walnut who seems to be the key to it all. As they fight racial barriers trying to discover the truth, Eve and Lena unravel a twisted tale of secret shipments and gangster rivalry.

SUGARLAND mixes the excitement of a new kind of music—jazz—with the darker side of Prohibition in a gripping story with “real suspense for anyone who likes a good mystery.” (Kirkus Reviews)

Find SUGARLAND on Amazon and Goodreads!



About the author 
Martha Conway is the author of Sugarland: A Jazz Age Mystery [Noontime Books], available via Amazon as of May 12, 2016. Conway’s first novel was nominated for an Edgar Award, and her second novel, Thieving Forest, won the 2014 North American Book Award for Best Historical Fiction. Her short fiction has been published in The Iowa Review, The Carolina Quarterly Review, The Quarterly, The Massachusetts Review, Folio, and other journals. She teaches creative writing for Stanford University’s Continuing Studies Program and UC Berkeley Extension, and is a recipient of a California Arts Council Fellowship for Creative Writing. Born in Cleveland, Ohio, she is one of seven sisters. She currently lives in San Francisco.

Connect with Martha on Facebook, Twitter, Goodreads and her website: www.marthaconway.com

GIVEAWAY: Open to U.S./Canada entrants only. To enter, please leave a comment telling me your favorite historical mystery, or one (besides this one) you've been wanting to read. Be sure to leave your email address so I can contact the winner. Giveaway will end on Monday, May 23rd at 11:59 pm CT. Good luck!


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Sunday, May 8, 2016

Bout of Books 16 #boutofbooks

Bout of Books

I always sign up and plan to participate...and then something always come up. Hopefully, this time will be better. All I can do is try and I do have a ton of great books on my reading plate this month.

Here's the official scoop:

The Bout of Books read-a-thon is organized by Amanda @ On a Book Bender and Kelly @ Reading the Paranormal. It is a week long read-a-thon that begins 12:01am Monday, May 9th and runs through Sunday, May 15th in whatever time zone you are in. Bout of Books is low-pressure. There are challenges, giveaways, and a grand prize, but all of these are completely optional. For all Bout of Books 16 information and updates, be sure to visit the Bout of Books blog. - From the Bout of Books team

Are you participating? Feel free to share your progress/what you're reading in the Seasons of Reading group on Facebook. 

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Thursday, May 5, 2016

Cat Thursday - Cats in Art (19) #MothersDay


Welcome to the weekly meme that celebrates the wonders and sometime hilarity of cats! Join us by posting a favorite LOL cat pic you may have come across, famous cat art or even share with us pics of your own beloved cat(s). It's all for the love of cats! (share your post in the Mr. Linky below)

Wishing those of you who are mothers of humans, cats...or both, a very Happy Mother's Day! Today's art is in honor of "our" day. Enjoy!

Blaas, Eugen von. A helping hand. 1884 Oil on panel. 
Domestic scene of women, children and cats

Art - Poster - Art Nouveau - Advertisement - 
Campaigne Chocolate et The

Children Teaching the Cat to Read - Jan Steen 1663 - 
held by Kunstmuseum, Basel, Switzerland.

Portrait-Painting-Children Playing with a Cat

Portrait-Painting-Mother-and-child-with-cat-weenix

Mister Linky's Magical Widgets -- Easy-Linky widget will appear right here!
This preview will disappear when the widget is displayed on your site.
If this widget does not appear, click here to display it.

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Tuesday, May 3, 2016

Guest Post by Maria Lynch, author of Beneath the African Sun



Writing Historical Fiction

For me writing historical fiction facilitated the creation of a migrant’s story that covered historical events and facts of an era gone by. Research provided a voluminous amount of information to sift through and then there were the interviews and recollections of the people who lived through the era I was writing about. I was faced with a curious imagination of how to shape the different characters within that time frame. A series of back stories were created to sort through the data that allowed me to decide what would be obvious to the readers.

I was energized by the stack of information that I reviewed with care and thoroughness. Some of the back stories were clearly evident in the story while others remained invisible to the readers as I let my story develop from a street-level viewpoint of the protagonist who was a tradesman. The interactions through dialogue illustrated the authenticity of the era and the setting of the story as did the physical movement of the characters from one place to another. It was a gradual introduction of modes of transportation as they progressed in that era. The historical facts and events had a direct impact on the lives of the characters. It gave rise to conflict and angry disagreements that portrayed a lack of a sense of belonging to a troubled yet beloved country. But there was happiness, marriage, love, success and tragedy. I constructed the twists and turns within the story. I described the acceptance of the status quo by the characters and the effect of the unfolding history on the lives of ordinary people. There was political turmoil stemming from the decisions made by political leaders who did not appear to be cognizant of how their decisions adversely affected the people.

It was a challenge to sort through the interviews and recollections as it appeared that the same incident or event was recounted differently. Hence I chose the information that would suit the characters for the story I created keeping intact the historical framework. I became inquisitive when the social justice issues surfaced along with the impact of a close-knit community. I incorporated these nuances that caused frustration and deep disappointment within the story.

Writing historical fiction was an inspiring experience. I created a story with a historical backdrop that embodied pertinent issues that inform the readers who may not be aware of that time in history in a faraway land.

About the book
Title: Beneath the African Sun
Author: Maria Lynch
Publisher: Friesen Press
Pages: 282
Genre: Historical Fiction

When Sabby Mendes leaves Portuguese Goa aboard the dhow Monsoon Wind bound for British East Africa in 1916, he has one dream—to find work as a tailor in the relatively new capital of Nairobi. Sabby is a young man, still a teenager, but he is determined to build a life for himself, and he knows that the opportunities in the British Protectorate are better than those facing him at home.

A bright, affable young man with a genuine passion and talent for tailoring, he is not prepared for what he is about to find beyond the Arabian Sea. The Protectorate, which will become British Colony of Kenya, is a highly segregated society with the British firmly ensconced at its top; below them are the “Asians” like Sabby; and at the very bottom are the native African population who are regarded as little more than savages in need of civilization.

Beneath the African Sun offers, through the eyes of its protagonist, a street-level view of the changing social and political climate of Kenya between 1916 and 1970, including the ‘Mau Mau’ Uprising of the native Kikuyu, the eventual independence of Kenya in 1963, and the political fallout that followed.

More than a history, it is a story about family, home, social justice, and what it means to truly belong somewhere. 

For More Information 
Beneath the African Sun is available at Amazon.
Pick up your copy at Barnes & Noble.
Discuss this book at PUYB Virtual Book Club at Goodreads.

Book Excerpt:
We walked out of the snack shack into the night.

Menino gazed into the sky as we started down the dusty mud pathway that led from the snack shack.

“Sabby, I remember overhearing some of the older folk at your place when we were there for Sunday lunch—who is leaving and who is coming back. Are we too young to leave home? What do you think, Anton?”

“I don’t know, Menino. I’m not sure. I don’t even know what I want to do with my life. How can I even think about going to Africa? What would I do there? Sabby is learning to become a tailor. I suppose he can find work as a tailor.”

We didn’t say much to each other in the darkness of the night. We went our separate paths home.

That night I had dreams of being on a ship bound for Africa. They were beautiful dreams of a very different life. But there were also dreams of things going wrong and getting mixed up with different kinds of people who were strangers to me. The morning brought me back to being in Goa.

When I wasn’t at the shop, the days and nights passed as they usually did. I continued improving my tailoring skills with Mr. Fernandes, and he liked my work and offered praise. By April, I was taking measurements for customers, chalking out the cloth according to the measurements and then cutting the cloth. This was very interesting, and though, at first, I made a few mistakes, with practice I became good at it.

The Monsoon season, in June, brought heavy rain almost all day and all night. It was very hot. But we lived through our routines. Back at the shop and with Mr. Fernandes watching over me, I was now able to make a suit. I was very happy and proud of myself. Mai and Pai were very glad that I was doing well in tailoring. When a customer came in asking for me to do a suit for him, Mr. Fernandes told me that this was a sign that I was becoming a good tailor.

One day in September, with only few more months of apprenticeship remaining, I spoke with Mr. Fernandes about going to Africa. It was after closing time. We were alone in the shop. We sat down, and he told me that he knew of people who had gone there. Some had liked it and stayed, but others found it difficult to adjust and returned to Goa.

“Here,” he said, “we are all the same people, but in Africa there are the Africans, as well as the European and Indian settlers. You will have to learn to live and work with these different kinds of people and customs.”

I listened to everything he knew about living outside Goa. He said it was more important to take the advice from my parents, for it would be a big adjustment for them. He cautiously told me that we sometimes hear talk from people who come back and this is turned into stories; but you cannot know if those stories are true or not. It was difficult to say how any one person would adjust to living in Africa. I thanked him for his advice and walked out of Margao and onto the pathway to home, thinking it was time to talk to Mai and Pai to help me make a decision.

Regularly I had been meeting up with Anton and Menino at the snack shack for our Saturday evening discussions and sometimes arguments. On some of these nights, we would go dancing at the local dance hall. We cheered on our local teenagers who would stand in front of the crowd to sing. And when Menino did his song and dance number, we would shout as loud as possible. It was always fun on these Saturday nights. The next day, we drowsily saw each other in the church pews of St. John the Baptist Church in Pedda and tried to properly participate in the Sunday Mass.

After Mass, Mai was into her routine of preparing a big Sunday lunch. Some friends, relatives or neighbours would drop by to eat, drink, talk and sing. Sometimes, I brought Menino and Anton to our Sunday lunches. We joined in the conversation, while at other times we only listened to the stories. The best part was when we would sing and dance. This was enjoyable. I knew that if or when I did leave Goa, I would miss those Sundays. I would be with different people, and who knew what kinds of activities I would do. I knew that I would miss Mai and Pai and, of course, my brother, Miguel. He was younger than I and still at school.

On Sunday afternoons my friends and I would go to our favourite Benaulim beach. On one of these beach afternoons, Menino talked about working on a ship again, while Anton talked about doing carpentry at a shop in Margao. Sometimes I met up with Anton on the pathway on our daily walk to Margao. That day, however, we were sitting on the sand, looking out onto the Arabian Sea.

“My uncle from Bombay will be visiting us soon,” said Menino, his eyes on the horizon. “I am going to find out about working on a ship. He may be able to tell me how I can do that. There’s no one here who would know this information. What do you think?”

I couldn’t imagine being at sea for long periods of time.

“Menino, you are serious about working on the ship. I think it will be very different. You’ll be on the ship most of the time, and then on your days off you’ll come home. You will be between the ship and home. I wonder what that will be like.”

“Yes Sabby, it’ll be different all right. I have to find out more. My parents tell me that they have heard of young fellows working on the ship as stewards. I think I would like to do that. I will have to be trained. You know as I say it out loud, it feels exciting and terrifying at the same time. I’ll be on the ship day and night.” Menino sounded worried and looked to the sea in hopes of an answer.

Anton too was looking off into the distance and not saying anything. I wondered if he still liked doing carpentry work.

“Anton, why so quiet?” I shoved him on the sand. “Do you think Menino will make it on the ship? And what does a steward do anyway?”

“I don’t know. If that is what he wants to do, he can always try it out. Who knows what is good and what is not until you try it out. I am still not sure that I like carpentry. I do not know if this is the kind of work that I would become good at, and I’m not sure if this is what I want to do every day of my life. It’s very confusing for me. But now I’m listening to Menino talking about leaving Goa and doing work elsewhere. I have to think more seriously about carpentry,” Anton said, making circles in the sand with his fingers.

“Anton, the more carpentry you do, the better you will become at it,” I said. “As for leaving Goa, I’m considering it. I often wonder what it is like to live on the other side of the world. The more I think about it, the more I want to explore other places. It’ll be different with other kinds of people. I’ve been talking to my parents about leaving Goa. They seem to think that I would be better off in another place rather than here. They talk about Pedro being in British East Africa. He’s from our village. My parents know the family. He misses Goa very much, but he likes it there and will stay there for a while. He likes the work he is doing for the railway company in Mombasa. I think he is a mechanic.”

I looked down and realized that I had been drawing dress designs in the sand.

We continued our discussion about leaving Goa. We exchanged bits of stories we heard from other people who talked about living in Africa and what it was like there. These people received letters from Beira, Nairobi and Mombasa. It seemed to be a big adjustment from life in Goa. This was gossip from the villagers. It seemed risky to go some place faraway to live and work.

At home, the dinnertime discussions were quite different. Mai and Pai wanted Miguel and I to go to Africa for a better life, but they knew that once we were there they might never see us again unless we came back on holidays. But that would only happen once we had jobs and were able to save enough money to make the journey back to visit them. It could be as long as two or three years before they saw us again. It was distressing Mai very much, but Pai seemed confident about us going to Africa. Then the big question was around the choice between British East Africa and Portuguese Mozambique—which like Goa, was under Portuguese rule. These discussions came from the rumours and gossip in the village. We heard there were more jobs in British East Africa than in Portuguese Mozambique. But I wanted to do tailoring and, therefore, would it make a difference where I went? Would there be the same amount of tailoring work in both countries?

Then there were other considerations that my parents talked about constantly. The British had been in India since the sixteenth century and were still ruling the rest of India—except our Goa since the Portuguese would not give it up—would I adjust more easily under Portuguese rule or would it be difficult either way because both these places were in Africa? There was too much to sort out in my mind before I made my decision to leave Goa. In the meantime, I knew I had to continue working on my tailoring skills.


About the author
Maria was born and raised in Nairobi, Kenya. After graduating from Dr. Ribeiro Goan School and with secretarial skills and her experience as a School Secretary she arrived in London, England in 1967 in the midst of “hippie world.” She studied at Pitman’s College for a Commercial Teacher’s Diploma which she successfully achieved in 1969. Due to the tenuous political situation in Kenya she had to find a new home. In the autumn of 1970 she emigrated to Canada in search of a home to put down her new roots. This she did with her husband, Tim who immigrated to Canada from South Wales, UK.

To Maria and Tim, Canada became a land of opportunity and new beginnings. In pursuit of these opportunities, they lived in Hamilton, Montreal, and Toronto. Tim pursued post graduate studies at the University of Toronto while Maria achieved a B.A. in Economics from York University followed by a B.Ed. from the University of Toronto. During this time, she and Tim nurtured their two sons. When they reached school age, Maria taught Business Studies’ courses at high schools in the City of Toronto for fourteen years. In 1999 she achieved an M.A. (Leadership and Training) from Royal Roads University, British Columbia.

Maria is an avid reader of fiction and non-fiction books. The latter enables her to delve into her favorite topics of social justice issues, community development and philosophy. In 2009 she began blogging, visit www.dovemuse.ca. This deepened her interest in writing novels and is author of Beneath the African Sun; for details visit www.authormarialynch.com. She also enjoys nature trail walking and traveling.

For More Information
Visit Maria Lynch’s website.
Connect with Maria on Facebook and Twitter.
Find out more about Maria at Goodreads.



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Sunday, May 1, 2016

#Roots - The Read-Along Discussion Two


Late again. Sorry!

Let's weigh in on the second section, through Chapter 69. Are you having as hard of a time dealing with what's going on as I am?

The utter cruelty that human beings can exact on other human beings is almost too much to bear. The descriptions of the conditions on the slave ship are so horrible. That anyone could survive that is testament to the strength of the human spirit.

When the slave ship arrives in American and Kunta is bought by a slave owner, this is the beginning of Kunta's continuous attempts at escaping. No matter how many times he's caught, he still keeps escaping, until finally...and tragically...something is done to him that makes further escape attempts pretty much impossible. The true tragedy though is seeing this indomitable spirit finally crushed into the acceptance of slavery.

I was surprised that these events are taking place around the time of the Revolutionary War. For some reason, I thought this story occurred much later. So, this is taking place close to 100 years before the Civil War. This fact gave me perspective on just how long slavery went on in America...even long before the Revolutionary War.

We start to see Kunta making friends and settling into his life as a slave, but he still struggles with his identity, realizing his age, 34 years old, and just how long he has been gone from Africa. When he meets Boteng, another slave from Africa, the sense of connection spurs in him the desire to seek love and connection in his own life which is a major breakthrough for Kunta.

What do you think of it so far? Share your thoughts.


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- See more at: http://www.techtrickhome.com/2013/02/show-comment-box-above-comments-on.html#sthash.TjHz2Px9.dpuf